The Blackwell School, 1889-1965 is a historic, hispanic schoolhouse in Marfa, Texas.  Alumni founded The Blackwell School Alliance in 2006 and restored the adobe structure in 2007. Research and artist project with the Board to create an ongoing Audio project throughout the town of Marfa and within the site on Waco St.

 

The Historic Jarvisburg Colored School 1868-1950, Jarvisburg, NC, perhaps the oldest standing African American School in North Carolina. "Songlines" is a narrative public project inspired by student oral histories: recording southeastern songs from the School's era and those remembered by alumni, 2016-2019. Sponsored by NC Humanities, the Pratt Institute Faculty Fund and Currituck County. Phase One Summer 2019

 

Bwell historic marker_edited.jpg
Bwell historic marker_edited.jpg

"The Land" @ Blackwell School 2010
"The Land" @ Blackwell School 2010

The Land: Andrea Bowers and Shizu Saldamando "FINDING THE WORDS; EN MEMORIA DE UN LEGUAJE ENTERRADO" Dec 2010-Mar 2012 before the adobe restoration

Joe Cabezuela, Blackwell Alliance
Joe Cabezuela, Blackwell Alliance

Bwell historic marker_edited.jpg
Bwell historic marker_edited.jpg

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slideshow

 

 

 

 

Jarvisburg group 7.24.13.jpg
Jarvisburg group 7.24.13.jpg

Alice Lindsey, opening HJCS 2006
Alice Lindsey, opening HJCS 2006

2008-04-07 23.29.53.jpg
2008-04-07 23.29.53.jpg

Jarvisburg group 7.24.13.jpg
Jarvisburg group 7.24.13.jpg

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link to Songlines Project

 

NPR WUNC radio June 28, 2019

 

 

letters of thanks from prisoners, photo by Paul Gagaliano
letters of thanks from prisoners, photo by Paul Gagaliano

ESP 6 detail paper 3.25.12.jpg
ESP 6 detail paper 3.25.12.jpg

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timthumb-4.php.jpeg

letters of thanks from prisoners, photo by Paul Gagaliano
letters of thanks from prisoners, photo by Paul Gagaliano

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Books Through Bars 

Performance project 2015 read-aloud requests of prisoners needing and receiving new books -addendum to the installation "Next Year" Eastern State Penetentiary, Philadelphis, PA 2011-2014

2012-2014 "Next Year" Eastern State Penitentiary, artist installation in cellblock 8 -Prisoners were denied reading material - as they sometimes still are (Banks vs. Beard 2006 Pennsylvania Correction System). A 141 page timeline newspaper is created of each New Year's day Phil, PA front pgs from the years the prison was in operation 1829-1971

view from hallway 2_edited.jpg
view from hallway 2_edited.jpg

Bateman 2014.jpg
Bateman 2014.jpg

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1831cellblockseven.jpg

view from hallway 2_edited.jpg
view from hallway 2_edited.jpg

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  slideshow

 

  link:

 

  

55 banned Pratt books.JPG
55 banned Pratt books.JPG

banned bookmarks detail.JPG
banned bookmarks detail.JPG

detail Wall Text.JPG
detail Wall Text.JPG

55 banned Pratt books.JPG
55 banned Pratt books.JPG

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2014 The Banned Book Cart, installation, 2nd iteration:

Pratt Institute Brooklyn Library. Every banned book in the collection is cloaked - loaned for re-circulation- accompanied by bookmarks labled with censorship history and blasphemous excerpts.

2010-11 "The Book Cart"  EIDIA House, Plato's Cave 

Brooklyn.  Local books no longer in circulation, some over 100 yrs. old, are found and saved.  The nomadic life of each book survives only by moving out or returning back into Plato’s Cave. By having the oldest, most geriatric books available to be sub-loaned from the ‘vault’, the objects and stories become re-gifted as antiques, sculptures or reliquaries—adding a ring to the loan cycle and requiring the dutiful act of the Artist to follow each reader.

Bateman Book Cart 2010.JPG
Bateman Book Cart 2010.JPG

Eidia House Book Cart Bateman 2010-13.jpg
Eidia House Book Cart Bateman 2010-13.jpg

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DSCN2218.JPG

Bateman Book Cart 2010.JPG
Bateman Book Cart 2010.JPG

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+ accompanying text project "What I Remember Most is This" uninked letterpress print 9" x 12" of lost narrative/memory of 1901 short story.
 

2010 Bateman, "Wetlands:Mausoleum detail.jpg
2010 Bateman, "Wetlands:Mausoleum detail.jpg

wetland photo mailbox.jpg
wetland photo mailbox.jpg

DSCN2300.JPG
DSCN2300.JPG

2010 Bateman, "Wetlands:Mausoleum detail.jpg
2010 Bateman, "Wetlands:Mausoleum detail.jpg

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2009-2010 Wetlands-Mausolea The New York Savings Bank.  The local New York City economy forces the use of landmark buildings for CVS Drugs and Payless Shoes.  Urban wetlands disappear. Bateman uses public-domain photographs from the Natural Resources Conservation Service as signage, in each image law enforcement figures fail to hold back the floods from neighboring wetlands.

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DSCN0967.JPG

graffiti + MARKET 2000 555 Gansevoort.JPG
graffiti + MARKET 2000 555 Gansevoort.JPG

Premier Bldg doorway.JPG
Premier Bldg doorway.JPG

DSCN0967.JPG
DSCN0967.JPG

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2007-2008  "Arbor Vitae" the 'inflated' greening of the former meatpacking district in lower Manhattan, future home of

the Whitney Museum - once a red, slaughterhouse district and hub for day laborers. Sponsored by the Economic Development Corp NYC, Lower Manhattan Cultural Council and the Manhattan Community Art Fund

I Got My Crabs from Dirty Dicks 2.jpg
I Got My Crabs from Dirty Dicks 2.jpg

Freedom Business Park 08.jpg
Freedom Business Park 08.jpg

Freedom Paid for 08.jpg
Freedom Paid for 08.jpg

I Got My Crabs from Dirty Dicks 2.jpg
I Got My Crabs from Dirty Dicks 2.jpg

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2008-09 "Buy Less!"  Lisa Bateman, 'The American Billboard Project', Jarvisburg, NC.  Route 158 runs through Currituck County, south of coastal VA - north of the affluent Outer Banks vacationaland of NC.  Once populated by farmers and sharecroppers, the coastal strip is becoming

a suburban sprawl.  As lifestyles collide in the post-Bush economy, bill-

boards on Rt. 158 are a storyline for wants, desires, fears and politics.

 

Perisc. 05. 1 .jpg
Perisc. 05. 1 .jpg

12. Periscope interior 2006-07, Bateman,detail, revolving turntable, salvage con
12. Periscope interior 2006-07, Bateman,detail, revolving turntable, salvage con

#2 Bateman The Periscope Project 06.png
#2 Bateman The Periscope Project 06.png

Perisc. 05. 1 .jpg
Perisc. 05. 1 .jpg

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2007-08 "The Periscope Project" sponsored by the Lower Manhattan Cultural Council and Tishman Construction, Inc. 

Bateman's buried reliquary, attached throughTishman's construction fence on Leonard and Broadway is viewed through a Star-Trekian, PVC pipe viewfinder. The experience reclaims an abandoned, intimate neighborhood space in an area of downtown Manhattan experiencing rapid building and a high-rise economy. Hummer H2 and a 1950 Ford sedan are enclosed

 

2002-03 Shafler Gallery Pratt Institute "Yellow Chemo Project"  interactive yellow 'chemo' table for reconstructing

or re-living cancer experiences, dimensions variable, 14 days May 2003

Chemo project Shafler.jpeg
Chemo project Shafler.jpeg

Yell. Chemo Proj 4.07.jpg
Yell. Chemo Proj 4.07.jpg

Yell Chemo proj. 07.jpg
Yell Chemo proj. 07.jpg

Chemo project Shafler.jpeg
Chemo project Shafler.jpeg

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slideshow

Nicole's Bowl 1  2003.JPG
Nicole's Bowl 1 2003.JPG

03 Bl Bowl N.jpeg
03 Bl Bowl N.jpeg

Nicole's Bowl 03.2.jpg
Nicole's Bowl 03.2.jpg

Nicole's Bowl 1  2003.JPG
Nicole's Bowl 1 2003.JPG

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2002-2003 "Nicole's Bowl" participatory project/death ritual.  A blue mirror imbedded in rear wall reflects onto a fishbowl containing one lone, white betafish.  When the audience enters the arena their portrait is reversed in the reflection.

for Nicole Carstens 1958-2001

2000-2001 "Mirari 7" part of the 'Container Project' sponsored by NYC Parks and Lower Manhattan Cultural Council.  Two locations NYC included: Lisa Bateman, Dolores Zinny & Juan Maidagan, Alex Villar, Amy Hauft and Judith Barry. Bateman uses the mirror as a facility of spectacle and hyper-real effect of cool, blue saturation in the dead heat of summer. 

entrance Mirari 7.jpg
entrance Mirari 7.jpg

'Mirari 7' Bateman 2001.jpg
'Mirari 7' Bateman 2001.jpg

'Mirari 7; detail 2001.jpg
'Mirari 7; detail 2001.jpg

entrance Mirari 7.jpg
entrance Mirari 7.jpg

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slideshow

26 federal.jpeg
26 federal.jpeg

Bway Reade '99.jpg
Bway Reade '99.jpg

fed plza gym.jpg
fed plza gym.jpg

26 federal.jpeg
26 federal.jpeg

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1999-2000 "What She Said"  video 2.23min in Vivisection, Location One, NYC.  A muslim street vendor on Broadway chants Maghrib evening prayers while FBI agents work out in the gym at 26 Federal plaza.

1999 "Female Mourner" performance, Oct. opening week 'Sensations' exhibition, Brooklyn Museum - attracted the wrath of NYC Mayor Rudolph Giuliani, who witheld the museums monthy funding and threatened eviction unless the Brooklyn Museum closed the exhibition. The case went to court and Guilianni was forced to back down.

images.jpeg
images.jpeg

Bklyn Mus 10.1999.jpg
Bklyn Mus 10.1999.jpg

Bklyn Mus 3 10.99.jpg
Bklyn Mus 3 10.99.jpg

images.jpeg
images.jpeg

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Lincoln Pk 96. detail.jpg
Lincoln Pk 96. detail.jpg

lincl pk site rear batema.jpeg
lincl pk site rear batema.jpeg

Lincoln Park aerial '96.jpeg
Lincoln Park aerial '96.jpeg

Lincoln Pk 96. detail.jpg
Lincoln Pk 96. detail.jpg

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1996 "Lincoln Park" project model, finalist Rockville Ctr. MD

an abandoned lot in a historic African American neighborhood with landmarked shotgun housing - plan A is 

an African burial pattern for a meditation walkway spanning two neighborhoods.

bateman5.jpg
bateman5.jpg

B Stuy PACC2 Pulaski wall '95 copy.jpg
B Stuy PACC2 Pulaski wall '95 copy.jpg

B Stuy PACC2 detail.jpg
B Stuy PACC2 detail.jpg

bateman5.jpg
bateman5.jpg

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1994-1996 Pratt Area Community Council PACC - 2 projects in separate sites; a mural project with new residents and an architectural ornament project with Pulaski tenants. PACC renovates buildings for moderate-low income housing - in partnership with a Federal Vista grant and the Living Stone Baptist Church, Pulaski Street, Bedford Stuyvesant, Brooklyn, NY

Aqua Regia.jpg
Aqua Regia.jpg

MTA 95.7.jpg
MTA 95.7.jpg

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MTA.95.4.jpg

Aqua Regia.jpg
Aqua Regia.jpg

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1994-1999 MTA Arts for Tranist, F train, Coney Island Surf Avenue Brooklyn, NY- sponsored by MTA NYC and the NY Aquarium.  Supersat pigments on corrugated fiberglass walls 8' x 140'.  When viewed from a moving subway train undulating water patterns flow towards the Aquarium stairs.